• 27Eyl

    Media in Canada – “Compliments Junior Disney puts the fun back into food and takes the guesswork out of shopping,” says Scott Cooper, VP consumer marketing for corporate brands at Stellarton, NS-based Sobeys, of the co-branded food line that launched yesterday.

    The nearly 100 products, which include everything from dried fruit snack mix to Mickey Burgers, Alpha-Taters mashed potato letters and Disney fruit, are aimed at children 3-12, who are good at spying familiar cartoon-character packaging and demanding what’s inside. But they’re sure to also be a hit with nutrition-minded parents. The products contain no artificial flavours, colours or hydrogenated oils, which helped more than 75% of them to qualify for Health Check stamps of approval.

    Each product package features a popular Disney character, and most feature Canada’s Food Guide serving information. The packaging also takes the guesswork out of evaluating nutritional information by indicating key positive product attributes through the use of four icons highlighting specific benefits to teeth, bones, eyes or muscles.

    Compliments Junior Disney products are now rolling out across Canada at Sobeys, IGA Extra, IGA, Foodland and Price Chopper stores. The line will be available in Quebec at IGA, Marché Bonichoix and Les Marchés Tradition stores later this fall, with the full range of products in stores by January. No other Canadian grocers are slated to carry them, but they are available in the US throughout the Kroger chain.

    Vancouver’s Rethink created a 30-second television spot that begins airing on conventional and specialty English channels this week, as well as full-page ads and advertorials in lifestyle and parenting magazines. Carat Canada handled media buys. For Web promotion, interactive firm Trapeze Media (also of Vancouver) developed a dedicated section for the food line on the www.compliments.ca website. To reach core grocery shoppers, i.e., mothers, Sobey’s free in-store magazine, Inspired, has begun featuring the new food line in double-page spreads

  • 27Eyl

    LA Times – A judge has dismissed the first of two Disney lawsuits that tried to block a controversial housing project in the Anaheim Resort District. Orange County Superior Court Judge Stephen J. Sunvold also ruled Monday that hearings in the second suit should be delayed until Anaheim voters decide the development’s fate in a June election.

    “It’s a win for the taxpayers and for the parties footing the legal bills,” said Anaheim City Atty. Jack White. “There’s no reason to spend time, money and action on this until the voters have their say.”

    Disney sued in February after the Anaheim City Council split on whether to allow 1,500 condominiums and low-income apartments across the street from where Disney plans to build its third theme park. Disney argued that the city hadn’t completed a thorough environmental review.

    But Sunvold ruled that because of the 2-2 vote, the city hadn’t actually approved zoning for the homes. The council reopened debate in March and approved zoning on a 3-2 vote in April. In its second suit, Disney contends the city didn’t have jurisdiction to rehear the issue.

    “The essence of the court’s decision today is that the first lawsuit was premature,” said Rob Doughty, a Disney spokesman.

    “Our suit is about making certain that [the developer] follows the same planning and zoning standards that any major development in Anaheim would have to follow before being considered.”

    The project’s developer, SunCal Cos., which has been paying the city’s legal bills, applauded the ruling.

    “We are pleased that the Superior Court has seen through the Disney antics and dismissed a significant portion of the Disney lawsuit against the city of Anaheim,” said Frank Elfend, a SunCal consultant.

    “It is unfortunate that Disney continues in its quest to force the city to waste precious taxpayer dollars for unfounded and baseless claims.”

  • 25Eyl

    LAKE BUENA VISTA, Fla. (AP) � Walt Disney World calls its workers, from actors in Goofy outfits to laundry workers, “cast members” to make them feel part of the show. There’s a garbage can every 25 steps, so litter will be tossed not dropped. There’s a polite way to answer one of the park’s most asked questions: “What time is the 3 o’clock parade?”

    These nuggets are part of corporate customer service training offered by Disney Institute, a Florida-based unit of the Walt Disney Co. that has coached thousands of executives and front-line workers from other companies and organizations since 1986. Customers have included Delta Air Lines, IBM, General Motors, Chrysler and even the Internal Revenue Service and cigarette maker Phillip Morris Inc.

    Now the Institute has taken another client: Miami International Airport, which many travelers will tell you needs customer service training like an airplane needs wings. Surveys rank its service among the nation’s worst.

    The airport’s terminal operations employees are taking classes taught by Institute instructors, learning leadership practices, team building, staff relations and communication skills � many formulated by Walt Disney himself.

    “Walt clearly put us on a path toward things like quality, great guest service, creativity and innovation,” said Bruce Jones, programming director for Disney Institute. “You would see that reflected in the topics that Disney Institute still delivers today.”

    Part of Disney’s lure is the feelings generated by its films and theme parks � magic and wonderment for children, escapism for adults. Disney takes great pride in ensuring a fun time and repeat business, mainly by emphasizing customer service and attention to detail while trying not to appear too sterile or robotic.

    That reputation was built on years of practice, but it doesn’t make Disney perfect and unapproachable, Jones said.

    “Many organizations think they’re different from Disney, and therefore can’t learn from an entertainment or a parks and resorts business,” Jones said. “But then when they get here and work with us a little bit, they find out … these principles and similarities are transferrable across industries, across cultures, and across different sizes and shapes of organizations.

    “Just think of the airport business. The reality is both businesses have millions of people each year waiting in line for a ride.”

    Disney World and the airport have more in common, including dealing with ground transportation, parking and retail sales. So, it made sense for the airport to seek out Disney Institute.

    “They understand how to minimize the inconvenience and maximize the entertainment value,” airline industry analyst Bob Mann said of Disney. “It’s a reasonably good move” for the airport to hire Disney.

    Miami International Airport is a gateway to and from the Caribbean and Latin America. About 32.5 million passengers passed through the airport in 2006, including more than 14 million international passengers.

    But among 18 U.S. airports with 30 million or more passengers per year, only three airports performed worse in J.D. Power and Associates’ 2007 North America Airport Satisfaction Study. Miami received below average scores in accessibility, check-in, security check, baggage claim and overall satisfaction; average scores in terminal facilities and food and beverage; and above average in retail services.

    “The customer service needs to improve,” said Sarah Abate, who oversees commercial services at the airport and took a training class. “Passengers need to understand that Miami is a friendly airport, and we are passenger friendly. Now, people don’t get that, or the perception from the passenger is not the same as what we are trying to convey.”

    Disney started the Institute after it realized it was getting questions from other companies about its customer service. After offering some behind-the-scenes educational tours, the Institute developed its first professional development program 21 years ago.

    Many principles taught by Disney Institute are created and tested through research and data collection, including visitor surveys. Trainers average 10 years with Disney.

    Early in the training, a handful of Miami airport managers visited the Magic Kingdom, where they were shown examples on how paying attention to detail and removing barriers were integral in making guests happy and keeping them informed.

    For example, Disney houses its lockers and wheelchairs to the right of the park’s entrance, because studies have shown more people go to the right than the left when they arrive. Cast members wear colorful Polo-type shirts to easily identify them � a strategy that will be employed by the airport. Store windows on Main Street U.S.A. have names of valuable employees, a reward for service and to inspire loyalty.

    A Disney study showed that people who were given hard candy with a wrapper at a theme park took an average of about 27 steps before tossing the wrapper on the ground. Hence the spacing of the garbage cans, which are strangely inconspicuous.

    Airport trainees learned the mantra: “It’s not my fault, but it is my problem.”

    “I love that. I’m going to print that and put it in my office,” Abate said.

    These ideas seem simple but still caught the attention of most airport employees at the training sessions � although some were seen talking during the presentations. Dickie Davis, division director of terminal operations, said there are plans to, like Disney, clearly display the name of each employee on new name tags, rather than the current hard-to-read security badges.

    By the end of September, about 400 airport workers and vendors will have attended classes, and leaders will then train those who work under them. (The training does not currently include airlines, TSA or customs workers.) Full-day classes are about $28,000 apiece, Davis said. Four have taken place, and at least eight more are scheduled, with some of those half-day classes.

    But how does one answer questions like “What time is the 3 o’clock parade?” and their ilk? Trainer Joel Strack says answers can be sarcastic, angering the customer, or employees can search for the embedded question while also reaffirming the obvious:

    “The parade will start on time at 3 p.m. in Frontierland, but it will be at Main Street U.S.A. at about 3:20. You can line up right here under the shade if you want to. Thanks.”

  • 23Eyl

    Disneyland Resort has announced an increase in prices for admission media. (Prices do not include sales tax.)

    * Single Day, Single Park is now $66 ($3 increase), Kids 3 thru 9 are $56

    * Single Day ParkHoppers are now $91 ($8 increase), $81 for kids 3 thru 9

    * 2 Day ParkHopper is going up $10, $132 for Adults, $112 for kids 3 thru 9

    * 3 Day ParkHopper is going up $10, $189 for adults, $159 for kids 3 thru 9

    * 4 Day ParkHopper is going up $5, $214 for Adults, $184 for kids 3 thru 9

    * 5 Day ParkHopper is going up $5, $234 for Adults, $204 for kids 3 thru 9 (a savings of $44 a day off the adult single day park hopper price)

    To compare to Walt Disney World, a single day single park ticket is $71.00. It costs $116 for a one day park hopper.

    The Annual Passes continue to be the best deal even with the $20 increase. It pays for itself in less than 6 days. Even faster if you include free parking and food and hotel discounts. The fact that they haven’t raised this a lot more proves how dependent Disneyland is on locals.

    * Premium $379 ($20 increase)

    * Deluxe $259 ($20 increase)

    * Southern California $169 ($15 increase)

    * Southern California Select $129 ($5 increase)

    So why are the prices going up again? Because attendance numbers for the park continue to exceed projections and because guests still perceive a value when compared to say a 3 hour concert or a professional sporting event. Disney will continue to slowly raise prices until that perceived value is gone.

  • 21Eyl

    Disney Cruise Line kicks off construction of two new ships

    Although the deal was finalized back in April, it was just this week that Disney Cruise Line finally set up an office at Meyer Werft so construction of the next two Disney Cruise Liners could begin. Over the next five years, teams from Disney Cruise Line, Disney Imagineering, and Meyer Werft will work together to deliver two new Disney ships in 2011 and 2012. Alas there is still no sign of the construction over at Meyer Werft’s webcam, but keep an eye on it just in case.

  • 20Eyl

    Vanessa Hudgens, star of Disney’s High School Musical films, is in the news again. This time she is being sued by a lawyer who claims she owes him money. Promised 5 percent of her profits, her lawyer is now suing for $150,000 dollars. This probably would not have even made the news had Hudgens not had that other little indiscretion. So far, Disney continues to stand by their starlet who they say have apologized.

  • 19Eyl

    Salt Lake Tribune – Peter Behn of Park City has been a husband, a dad, a grandpa, a home builder and a real-estate broker. But to some people, he’ll always be best known as someone else – someone he became almost 70 years ago.

    A rabbit.

    Behn was the voice of Thumper in the Disney animated classic, “Bambi.” He recorded his lines for the movie in a Hollywood studio between 1938 and 1940, when he was 4 to 6 years old.

    “It was a fun thing that happened a long time ago,” says Behn, 72, who never appeared in another film and hasn’t sought to capitalize on his modest fame. “But I don’t hide it so much anymore. I’ve found that people get a kick out of it.”

    Thumper, as you may remember, was Bambi’s best pal and a shot of much-needed comic relief before the darker scenes that traumatized young viewers over the final third of the movie: the hound attack, the forest fire and, of course, the death of Bambi’s mother.

    Fun-loving and a bit of a rascal, Thumper got his name from his habit of thumping his hind foot. He had many of the movie’s most memorable lines, including, “Did the young prince fall down?” “If you can’t say somethin’ nice . . . don’t say nuthin’ at all” and my personal favorite, “Whatcha doin’? Hibernatin’?”

    When Disney began casting “Bambi,” its fifth animated feature, Walt Disney insisted on kids supplying voices for the young forest creatures instead of adults mimicking youngsters as Hollywood often does now. Behn (pronounced bane) won an audition through his dad Harry Behn, who co-wrote “Hell’s Angels,” the World War I drama famously directed by Howard Hughes.

    When little Peter showed up at the Disney studios in 1938, he was one of 30 kids trying out to voice animals in the film. It did not go well at first. Rejected for Bambi, Behn then spoke one of Thumper’s lines but failed to impress the casting director, who reportedly said, “Get that kid out of here. He can’t act.” However Ollie Johnston and Frank Thomas, two of the leading animators on “Bambi,” liked what they heard.

    “One of them said, ‘That kid would be perfect for the rabbit,’ ” says Behn, relating the account he heard years later. And so instead of sounding meek and cutesy, Thumper’s voice booms with young Peter’s exuberance.

    “Maybe [my voice] had a personality more than some other kids’, I don’t know. It’s just the way I was in those days – outgoing and not shy,” Behn says. “[Director David Hand] would say a line, and then I’d mimic it back at him. They actually changed part of the story line after they found my voice to make Thumper more of a lead character.”

    A production photo shows Peter in the studio holding a live bunny from a tiny Disney zoo built to help “Bambi” animators draw the animals. Behn recorded his dialogue off and on over the next two years – even after his father, wearying of the Hollywood lifestyle, moved their family to Arizona. For his work on the movie, Behn was paid about $4,000. He received no royalties.

    Behn saw “Bambi” when it came out in 1942, but his performance as Thumper made little impression on him. Instead, he recalls being scared by the fire. His brief acting career over, Behn moved with his family to Connecticut, graduated from Yale, spent two years in the Army and then settled in small-town Vermont. Unlike fellow child actor Donald Dunagan, who was terrified to tell his fellow Marines that he was the voice of Bambi, Behn wasn’t embarrassed by his Thumper past. He just didn’t talk about it.

    “For more than 30 years, nobody around me knew that I’d done this,” says Behn, who didn’t even tell his future wife until after they’d dated for a year. (She was unimpressed.) “Disney didn’t even know where I was.”

    Then, in the 1970s, one of his close friends casually mentioned Behn’s “Bambi” legacy to a newspaper reporter, who wrote a brief article. Other reporters came calling, amused that Thumper had resurfaced in the Vermont town of Warren, as in “rabbit warren.” Fan mail began arriving at the Behns’ home, much of it from Disney collectors seeking Peter’s autograph.

    In recent decades, Behn has appeared at a few Disney events – including an anniversary screening of the movie at Hollywood’s Kodak Theatre – and been interviewed for the two-disc “Bambi” DVD that came out in 2005. Although Behn’s grandkids don’t care much about his Thumper days, some adults beg him to recite lines from the movie. A few even ask him to thump his foot.

    Peter and Pam, his wife of 28 years, moved to Park City in 1997 for its outdoorsy lifestyle. Last year they built a handsome, eco-friendly home on a hillside north of town. It has solar panels, a wind generator and enormous tanks to collect rainwater, but no “Bambi” memorabilia. Behn has some old Disney stuff in a box, but he’s not sure where it is. The amiable retiree would rather ski or mountain bike than make a fuss over his role in one of the most iconic movies of all time.

    “I’m really not looking for a lot of recognition,” says Behn, whose eyes still have a boyish twinkle. “But I don’t mind talking about [Thumper]. I’ve realized that it gives people pleasure.”

  • 18Eyl

    Imagineers have updated The American Adventure montage film, Golden Dreams, to catch it up with the calendar and complete a trio of scheduled Epcot film enhancements.

    “When the show was being developed in 1980, we knew that the passage of time would be a factor and that the story would be never-ending,” says senior vice president and executive show director Rick Rothschild, who was part of the team that created the original attraction in 1982. “We did the first update in 1992, which included a longer version of the song written for the film montage Golden Dreams to make room for the additional ten years of history. Now here we are, 15 years later and we didn’t want to add another verse to the song, so we remixed it and, with some clever editing, we repositioned the elements to present them earlier in the song, which gave us more time to present the history from the late ’60s to today.”

    Golden Dreams is not so much a history lesson, but more of a refresher course in the diversity and endurance of the American spirit, illustrated by images of the “dreamers and doers” throughout history who exemplify it. This time, the team focused on the “spirit of giving” and the philanthropic side of Americans to broaden the perspective of what makes the spirit of America unique. But identifying which events and icons would resonate with the widest audience turned out to be a tough assignment for more than the Imagineers.

    Which Story is History?

    Hoping to get a fresh perspective on such a serious selection, the team contacted a noted historian from George Washington University, who recruited 13 graduate students from his American History department for a semester-long assignment to help with the Epcot enhancement.

    “We provided a script, some background of the show and a version of the Golden Dreams sequence of the show,” says Rick. “Their assignment was to help us select up to 100 images and give us reasons they believed this person belonged in the montage. The result was a document that provided us with names and moments in time that they felt were worthy of consideration.”

    Collating the college list with one independently generated within WDI, the team developed the final roster, gathered the images and worked out the best way to add them to the ages.

    “Ultimately, we were able to incorporate about 115 images during the same song and still maintain the smooth, soaring pace that we always had,” says Rick.

    “With the MTV generation, people are able to take in more imagery than they used to,” says digital media producer, director for Theme Park Productions Ken Horii. “So this format allowed us to fit a lot more in, and we think that really added to the film’s emotional impact.”

    However, the team was highly aware that they needed to elicit the right kind of emotion, especially in treating such tragic events such as Sept. 11.

    “The whole piece is about the American spirit and our resolve and our ability as Americans to bounce back from incredibly bad situations,” says Ken. “Yes, 9/11 happened, but we’re Americans and we come together during adversity. It was a moment in time when everyone felt as if we were one and I think that’s what we wanted to show.”

    Technologically Timely

    “The great special effect in this piece was the process in which it was done,” says Ken. “We’re using new technology to get closer to the original creative vision. We stepped up the existing images; manipulated new ones in much more subtle ways and created some amazing fireworks for the Statue of Liberty shot, and we added things that we always thought should have been there�like the image of Rosa Parks�because now we have the technology in-house to do that.”

    “With the digital process, original film and low resolution video clips are brought in, cleaned up, stabilized, time stretched and composited all within the computer,” says digital media designer Michael Jackson. “A lot of the material we resurrected from the archives was originally 16 mm, which was bumped to 35 mm, which was projected onto 65 mm, so we took a lot of care in cleaning up the images to make them look perfectly smooth.”

    Achieving that perfect combination between history and technology proved to be a truly delicate balancing act for the team, but, thanks to that perfect Imagineering balance of talent and innovation, the new Golden Dreams debuted this summer and The American Adventure is once again up-to-date and aging gracefully.

  • 17Eyl

    The next two years of Disney Movies

    Honor Hunter at Blue Sky Disney has a list of what films we can expect from the various film studios under the Walt Disney Company umbrella over the next few years. There’s about 22 total. Not all of them will make it into the theaters, but you might want to surf on over and see if anything excites you.

    The ones I’m looking forward to the most are Wall-E, The Princess and the Frog, and Up. All animated films, not coincidentally.

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  • 17Eyl

    What do you get when the Star Wars and Pirates Of The Caribbean worlds collide? Another brilliant trailer mashup.

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