• 30Tem

    Since ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. In ”Brave“, a new tale joins the lore when the courageous Merida (voice of Kelly Macdonald) confronts tradition, destiny and the fiercest of beasts.

    Merida is a skilled archer and impetuous daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to carve her own path in life, Merida defies an age-old custom sacred to the uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) and cantankerous Lord Dingwall (voice of Robbie Coltrane). Merida’s actions inadvertently unleash chaos and fury in the kingdom, and when she turns to an eccentric old Witch (voice of Julie Walters) for help, she is granted an ill-fated wish. The ensuing peril forces Merida to discover the meaning of true bravery in order to undo a beastly curse before it’s too late.

     

    Brave Pictures and wallpapers



  • 04May

    Length: 89 mins. Year: 2009
    Cast: Jason Dolley, Mitchel Musso

    Movie Description
    After acceptable the school’s mascot, Poole discovers he is allergic to the craven costume. Not absent to abort his family, who has a attitude of getting the mascot, Poole asks his best acquaintance Pete to secretly yield over as the mascot. However, if the acceptance of the amulet grows, accoutrement go aerial as the two accompany attempt with whom gets the fame. This is a fun and absorbing blur with a aural affair of accurate friendship.

    Movie Facts

    • Hatching Pete first aired on the Disney Channel on April 24th, 2009.
    Starring : Jason Dolley, Mitchel Musso, Nicole Dault, Tennay Evans more…
    Director : Stuart Gillard
    Language : English
    Genre : Comedy, Family
    Banner : Salty Pictures
    Release Date : Apr 24 2009

    Tags: , , ,

  • 14Eyl

    DPA – Hong Kong – As second birthday parties go, it was a rather sombre affair. Faced with disappointing attendance figures and strained labour relations, executives at Hong Kong Disneyland were probably not in the mood to celebrate the park’s anniversary Wednesday. Modest commemorative gifts were handed out to guests and some special treats laid on for staff but there was none of the pizzazz and ferocious optimism that marked the spectacular opening of the 3.5 billion US dollar park on September 12, 2005.

    The reasons are plain. After falling 500,000 visitors short of its first year target of 5.7 million, sources within the park say Hong Kong Disneyland will struggle to achieve an attendance figure of 4 million in its second year.

    On top of its disappointingly low crowds, a survey conducted by the Disney Cast Members Union among 470 of the 5,000-odd staff found that 63 per cent were unhappy with management, complaining largely of unequal treatment and what they see as unfair work distribution.

    More than 80 per cent of respondents said they wanted Hong Kong Disneyland to bring its labour practices in line with those at the Disney park in Florida, where staff can be accompanied by union officials at disciplinary hearings and have access to independent arbitration.

    The 150-strong union has accused management of unfair dismissal, bullying workers into signing written warnings, forbidding them from seeking medical consultations during work time and of being impolite, unfair and rude.

    Union secretary Elaine Hui said some progress had been made with union representatives since August allowed to sit in on some disciplinary hearings but much more remained to be done to defuse staff unrest.

    Employees interviewed for the survey said their experiences with management had left them with low morale and a belief that management – in particular the “leaders” in teams of small teams of workers – were biased against them and unlikely to respond to their complaints.

    Forty-five per cent of employees interviewed expressed the view that complaining about a grievance to a supervisor, manager or to the Human Resources department of the internal Cast Advisory Council was “hardly ever effective.”

    Last year, 90 of the 120 employees hired to wear character costumes signed a petition calling for a pay rise to put them on a par with show performers, saying they had been made to feel “secondary and valueless.” Disney eventually raised their pay when they threatened a protest in costumes in the park.

    “My impression is that cast members love to work in Disney but sometimes problems occur in middle management which will make them lose their interest in working here,” said Hui.

    Greg Morley, director of human resources at Disney, concedes that the handling of labour disputes at the theme park has not always been ideal but insists that it is a problem management are getting to grips with and taking steps to improve.

    “Leaders are now better trained and better equipped to deal directly with cast members in their issues one on one,” he said. “I think our leaders have become better at personalising the cast member experience and not treating every cast member like they are the same person.”

    Despite its concessions, Disney is sceptical about the union survey, pointing out that the findings contrast starkly with a management survey of 1,000 workers conducted in April and May.

    In that survey, 92 per cent of respondents said they felt they were treated with respect, 87 per cent said their immediate supervisor was available to listen to their concerns and feedback and 89 per cent said they were proud to be a cast member at Hong Kong Disneyland.

    Morley said: “We are pretty pleased with what we got back in terms of cast members feeling very proud of their role in the company, proud of the job they do.” A more detailed survey had been carried out on 95 per cent of staff and while details were not yet available, the results were similar, Morley said.

    Responding to the union’s allegations of unfair dismissal, bullying, unfairness and impolite and rude attitudes among managers, Morley said: “Certainly I’m never a fan of hearing people say negative things about the company, so a lot of those things I vehemently disagree with.”

    Asked to comment on the union’s survey, he said: “I find it difficult to comment because I don’t have any sense of who they spoke with and what their methodology was.”

    While Disney management are making moves to work more closely with the union, Morley made it clear that the union’s goal of equity with Disney employees in Florida was unlikely to be met in the short term.

    “To compare something like union relations in, say, France to union relations in Hong Kong seems to be a bit difficult to do,” said Morley. “People work 35 hours in Paris. They certainly don’t work that here. Some things you can compare. Our experience for cast members and guests is comparable. In terms of work rules and union relations, though, I think it is very difficult to do.

    “The rules about grievance handling and union dialogue in Hong Kong are very well stated so we have maintained from the beginning active dialogue and consultation with the union. From our side, we are doing what we can to ensure they have an appropriate voice.”

    Hui remains hopeful that representation at disciplinary hearings is at least one positive step towards a greater goal. “We think that even thought the two parks (in Hong Kong and Florida) are in different countries the job nature and employers are the same,” she said.

    “For workers at these two parks the treatment, including the grievance procedures, should be the same. We won’t say we need a sudden change right now but the ultimate, ideal situation would be one like that in the US.”

  • 12Eyl

    Walt Disney World’s Contemporary, Old Key West and Saratoga Springs Resorts were designated Tuesday by the Florida Department of Environmental Protection as the 34th, 35th and 36th Florida hotels in its Florida Green Lodging Program.

    The program is a voluntary state initiative that provides the hotel industry with technical assistance and encourages it to adopt cost-saving “green” practices that reduce waste and conserve natural resources.

    Among the measures taken by the three Disney (NYSE: DIS) hotels are a formal communication program between staff and guests, promoting environmental education and public feedback. In addition, the hotels conserve water through towel and linen reuse programs and low-flow toilets, faucets and other fixtures, and conserve energy with programmable thermostats, indoor and outdoor lighting sensors, a computerized energy management system and high energy-efficient lighting.

    Waste is reduced by recycling office paper, newspaper, aluminum and steel cans and corrugated cardboard, purchasing products with 30 percent post consumer content and instituting policies such as bulk purchasing and reduced packaging. Indoor air quality is improved by utilizing high quality air-conditioning filters, using environmentally preferable cleaners and following a preventative maintenance schedule for all air-conditioning systems.

    The state program was launched in March 2004. It establishes environmental guidelines for hotels and motels to conserve natural resources and prevent pollution. As a reward for designation, the state recommends facilities within the Green Lodging Program to companies and trade organizations seeking environmentally conscious lodging and convention facilities.

  • 12Eyl

    Disney’s Dreamers Academy with Steve Harvey, an enrichment event with a special appeal for African American high-schoolers, will take place in January 2008, inviting inspired teenagers to pack their bags — and their dreams — for Walt Disney World Resort.

    One hundred teens from across the United States with the potential for greatness and the courage to dream will be tapped for the Dreamers Academy weekend Jan. 17-20, during the heart of Disney’s “Year of a Million Dreams” celebration.

    “This is about taking youth with potential and opening doors for them — helping them to realize their dreams,” said Xiomara Wiley, vice president of multicultural marketing, Disney Parks and Resorts. “And what a place to do it! At 40 square miles, Walt Disney World is the world’s largest creative classroom designed to inspire people. These young people will have unprecedented access to the magic behind the magic.”

    Disney’s Dreamers Academy sessions will include interactive workshops, motivational talks with sports and entertainment celebrities, and discussions led by Disney cast members and executives sharing their blueprint for success. Workshop topics will feature everything from business to architecture/engineering, animation to set design, show production to culinary arts, to learning the business behind sports. And there’ll be time to have some fun in the Disney theme parks — to see first hand the results of those “Disney dreamers.”

    Harvey said Disney’s Dreamers Academy “is very important to me because it gets to the heart of what my foundation is all about. It’s about the education of our young people who are oftentimes slighted and don’t have the chance to be exposed to a variety of job skills and job sets and meet with people in the fields they’re interested in. We want to give our young achievers the tools to become overachievers — to take their dreams stratospheric.”

    Students from around the country can be nominated to participate. The lucky participants — who must be enrolled in high school — will be selected from among young dreamers nominated by their parents, legal guardians, their school, church, social organization, youth program — or even themselves. Nomination forms and more details about Disney’s Dreamers Academy with Steve Harvey can be found on www.steveharvey.com/disneysdreamersacademy.

    A select panel of judges including Steve Harvey, key African American community leaders and Disney representatives will choose the 100 finalists — students who show promise but may need a little motivation and who share one common trait: the power to dream.

    “We believe this program will have special appeal for African American high-schoolers, and working with Steve Harvey gives us a great opportunity to get this message to them,” adds Wiley.

  • 11Eyl

    Walt and Roy Disney

    * The Story of Walt Disney by Diane Disney Miller & Pete Martin (Holt, 1957)

    * The Disney Version by Richard Schickel (Simon & Schuster, 1968, 1985, 1997)

    * Walt Disney: An American Original by Bob Thomas (Simon & Schuster, 1976; Hyperion, 1994)

    * The Man Behind the Magic; the Story of Walt Disney by Katherine & Richard Greene (Viking, 1991, 1998)

    * Walt Disney: His Life in Pictures edited by Russell Schroeder (Disney Press, 1996)

    * Walt Disney’s Railroad Story by Michael Broggie (Pentrex, 1997)

    * The Magic Kingdom; Walt Disney and the American Way of Life by Steven Watts (H. Mifflin, 1997; 2001 pbk)

    * Building a Company; Roy O. Disney and the Creation of an Entertainment Empire by Bob Thomas (Hyperion, 1998)

    * Remembering Walt: Favorite Memories of Walt Disney by Howard Green & Amy Boothe Green (Hyperion, 1999)

    * The Quotable Walt Disney compiled by Dave Smith (Disney Editions, 2001)

    * Discovering Walt by Jean-Pierre Isbouts (Disney Editions, 2001)

    * Inside the Dream: The Personal Story of Walt Disney by Katherine & Richard Greene (Disney Editions, 2001)

    * Walt Disney’s Missouri by Brian Burnes, et al (Kansas City Star Books, 2002)

  • 08Eyl

    Lost to end in 2010 

    Lost Image PromoAnyone who listens to the official Lost Podcast knows that the executive directors have always wanted the show to end on their terms. In fact, they have been lobbying to choose an end date so the show won’t get cut abruptly. Their rationale is simple, the show can’t work for ever. Unlike most dramas where new story lines can constantly be developed, Lost has a beginning, middle and end.

    Now the press is reporting the end date, 2010. This AP article, which probably is running in countless papers across the country, blames the lower ratings this season as the cause for the date. It paints this decision as a last ditch effort to save the show.

    I couldn’t disagree more. To me, as a rabid Lost fan, this is great news. The writers will have parameters to work in that will help reveal certain plot factors throughout the story. They don’t have to fear ABC and its programming decisions. The show is going to jump three fold in quality over the next 3 seasons. I can’t wait to see it.

   

This sites Seo Optimised by Seo Uzmanı