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20Mar
Cast: Patton Oswalt, Brad Garrett, John Ratzenberger, Brian Dennehy, Janeane Garofalo
Description
Fine food, fine dining, and fine restaurants are all fine for people, but not so fine for rats. Unfortunately, Remy Rat thinks he’s just as entitled to eat in a nice French Restaurant as anyone else. Maintaining his restaurant home and reaching his dream of being a chef both seem like long shots, but Remy is committed to making it happen.
Posted by admin @ 16:01
4 Responses
Ağustos 1st, 2008 at 08:57
great, everyone must see this movie, excellent
Ağustos 5th, 2008 at 10:31
The next thing to talk about is the “genre” of the movie. As Pixar enthusiasts will tell you, Brad Bird, the director of Ratatouille, also directed The Incredibles, which has the most inspired and creative action sequences from any of the Pixar movies. Ratatouille, while not so straightforward with its action, has almost as much as The Incredibles did, in unique ways. Most memorable is the shotgun scene near the beginning. (You’ll know what I’m talking about when you see it). Other than that, this is the expected comedy-with-heart movie from Pixar that so many have grown to love.
I entered the theater for “Ratatouille” hungry. Yeah, my stomach sort of was craving that buttery, salty, hydrogenated fatty taste of popcorn. But aside that–I was hungry for a fantastic animated film that has been absolutely raved upon by distinguished critics and average moviegoers alike. Hungry just like a food critic is about fine French cuisine.
Ağustos 5th, 2008 at 10:32
This movie was perfectly cast. Peter O’Toole as a pompous food critic is especially delightful to watch, although it took me until the end of the movie to figure out who was voicing that character. And Linguini, one of the main protagonists, is as tall and thin as his noodle’s namesake, a picture of teenage awkwardness.
Ağustos 5th, 2008 at 10:32
It is the most mature Pixar film yet. No, not in terms of mature content (it’s G-rated through and through) or in thematic elements (there’s nothing here that will frighten or confuse the youngsters). Its maturity comes in the form of how Bird is willing to acknowledge that, yes, audiences appreciate smart films. This is a SMART movie. It presents a situation that a weaker filmmaker would exploit for cheap gags and obvious plot turns, and makes a hilarious, touching, and all around extraordinary film out of it. The writing and direction are top notch. The animation is the most gorgeous, some of it the most creative, that Pixar has turned out yet.