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16Haz
Length: 0 mins. Year: 2008 Cast: Fred Willard, Jeff Garlin, Ben Burtt, Kim Kopf Description
The year was 2700 finds the lonley Earth free from humans opted to take up residence in other parts of the galaxy. Waste Allocation Load Lifter Earth Class, or Wall E for short is one of a few robots left inhabiting the Earth. With the companionship of his favorite robotic love interest, Eve, Wall E stumbles across the key to Earth’s future and sets out to make things right with the universe.
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2 Responses
Ağustos 5th, 2008 at 10:37
For a Disney Pixar film what surprised me most about WALL-E is just how dark it is. Yes, there’s the fast-paced motion-based comedy and quick visual jokes, but there’s also a different kind of tone in regard to the human characters. There’s none of the comfortable security present in so many children’s films. In fact one could even argue if WALL-E is primarily a children’s film, there’s none of the colourful backdrop (at least in the earth segments) of Cars and Finding Nemo, no array of funny sub characters chipping in with quick–witted comments, and an image of the world that’s shockingly grim and cynical. This is all very beneficial to WALL-E, its Pixar’s most ambitious film to date; they have raised the bar yet again in what they will focus on and how they tell their stories, if anything it’s more like an art film than a multiplex blockbuster. Yet it retains the core elements of all the best Pixar films, a daring world-of-it’s-own universe, strikingly fluid and astounding animation and genuine emotional development and depth in its characters.
Ağustos 5th, 2008 at 10:38
With all these political views underpinning the entire film, at heart WALL-E is a classic love story. The opening section of WALL-E shows us just how alone the little robot is – the impressive photo-realistic animation of earth, with the towering structures of garbage and dusty wastelands surrounding the city give the film a very dystopian and gloomy atmosphere. The quick zooms and pans, wide tracking shots of WALL-E bobbing along doing his daily chore, and the detailed tour of his job and trinket-filled home paint a picture of a very isolated little robot, who over 700 years has evolved within himself and extracted all of the best human qualities through our devices, games and even movies. We see WALL-E watching the 1969 musical Hello, Dolly!, focusing on a song involving two partners holding hands, an important gesture that WALL-E in his advanced state instantly recognises as a sign of love. When EVE, a robot sent to look for vegetation, shows up its delightful and exciting to watch WALL-E do his best to keep up (literally) and connect with EVE. The way their relationship evolves is excellently handled and very involving, they barely speak a word to each other yet the relationship is crafted in a believable, gradual way as they learn how they learn to relate to each other.